ArticlesSee·August 5, 2021B[L]ackground: an exploration of existence and non-existenceWhile there is no shortage of politically-charged art, it’s rarer to come...Text: Isabella PearceImage: Hannah Robathan
ArticlesSee·December 6, 2022Beyond the buzzword: why going ‘circular’ is only as radical as we make it Demystifying, decolonising and exploring the design behind circularity in collaboration with What Design Can Do (WDCD)Text: Zoe RasbashImage: Fernanda Peralta
ArticlesSee·December 20, 2020Black Future: Kay Rufai imagines a new reality through poetry and dance‘Multidisciplinary’ is a bit of a buzzword in the artistic sphere, but...Text: Kay RufaiImage: Hannah Robathan
See·February 23, 2026Bridgerton: Afrofuturism or ahistorical nonsense?What do we call a past that never was?Text: Fopé AjanakuImage: Tinuke Fagborun
See·March 29, 2025Can a Biennale provide a space for Indigenous resistance?The paradoxes of Venice's international art exhibitionText: Canela Laude-Arce
See·July 11, 2023Can we use comedy to talk about the grey areas of consent?A conversation with Theatre-Maker Raina GreiferText: Zoe RasbashImage: Esther Lalanne
ArticlesSee·September 25, 2022Capturing a more diverse ArgentinaMauricio Holc on supporting inclusivity and representation through photography Text: Mauricio Holc
See·November 23, 2023Coconut Head GenerationHow Alain Kassanda shows political engagement and consciousness-raising in Nigeria's repressive higher education systemText: Adebayo Quadry-Adekanbi
Refugee WeekSee·June 22, 2022Creating healed worlds through artIn conversation with Persian painter Nima JavanText: Erin CobbyImage: Nancy Hurman
ArticlesSee·May 18, 2022Dear Black Child: lessons in Black joySimmone Ahiaku meditates on a conversation with director Tobi Onabolu.Text: Simmone AhiakuImage: Tobi Onabolu
ArticlesSee·February 20, 2019Dear EnglandIn Conversation with Daniel Mansaray: Daniel Mansaray: In October 2016, the ‘Jungle’...Text: Liv Page
See·February 6, 2026Do you think we have the room for love in the fight for liberation?How Kerry James Marshall’s exhibition evokes the need for love in trying timesText: Adebayo Quadry-Adekanbi