ArticlesSee·July 7, 2019Pride 2019 illustration campaignTo celebrate this year’s Pride Month, shado asked five of our brilliant...Text: Anonymous
ArticlesSee·October 10, 2020Why ‘Rocks’ is a love letter to young Women of ColourIn conversation with Sarah Gavron and Anu Henriques Text: Anu HenriquesImage: Erin Cobby
ArticlesSee·April 29, 2019Herenciashado first contacted Argentinian documentary photographer Sofia Bensadon earlier this year regarding...Text: Sofia Bensadon
ArticlesSee·March 18, 2019International Women’s Day 2019To celebrate International Women’s Day, shado asked some of their wonderful illustrators...Text: Isabella Pearce
See·May 30, 2024“I’m not being seen as who I am”: being trans in TV & FilmIn conversation with Ella Stockton on transphobia, sector strikes, and the structural barriers for trans people in TV & FilmText: Georgia Day
ArticlesSee·January 30, 2020‘For Sama’ is a love letter to my daughter; to my country, to my city, and to the dream of freedom.This morning, Waad al-Kateab, producer and star of the revolutionary documentary For...Text: Isabella PearceImage: Hannah Robathan
ArticlesSee·September 1, 2021What happens when a photographer starts to lose her sight?Shabnam Ferdowsi is an LA based photographer whose traditional work documents the...Text: Maisie Goulsbra
See·July 21, 2023The news is a KhartoonHow Khalid Albaih navigates the role of art in political resistance in SudanText: Adebayo Quadry-Adekanbi
See·November 23, 2023Coconut Head GenerationHow Alain Kassanda shows political engagement and consciousness-raising in Nigeria's repressive higher education systemText: Adebayo Quadry-Adekanbi
See·July 3, 2025Femicides in Greece and art as collective resistanceIn conversation with Artist Georgia Lale, asking: who is actually complicit? Text: Anna Maria PapaoikonomouImage: Emilie Muszczak
See·November 19, 2024“A place where ghosts are alive”: One community’s reckoning with Canada’s residential school systemIn conversation with the directors of ‘Sugarcane’Text: Ning Chang
See·February 6, 2026Do you think we have the room for love in the fight for liberation?How Kerry James Marshall’s exhibition evokes the need for love in trying timesText: Adebayo Quadry-Adekanbi