See·April 18, 2026Nigerian Modernism: post-independent but not post-colonialHow Tate Modern’s Nigerian Modernism exposes a moral and symbolic dissonanceText: Adebayo Quadry-Adekanbi
See·April 19, 2026The Nigeria we carry with usMy Father’s Shadow: a film you can smell Text: Fopé AjanakuImage: Naomi Gennery
See·June 25, 2026Screening segregationOn transphobia, representation and The Supreme Court rulingText: Alexandra Diamond-Rivlin
See·July 10, 2026Creativity after artThe importance of seizing the means of creative productionText: Ruari Paterson-AchenbachImage: Beck O'Hara
See·September 11, 2026“I’m singing because I can’t talk this shit anymore.”How Renell Shaw negotiates joy, silence and Black boyhood in Our Eyes Looking for GodText: Adebayo Quadry-Adekanbi