Hear·August 21, 2025The club can heal usHow raving keeps us alive – even when the world is trying to kill usText: Fopé AjanakuImage: Tinuke Fagborun
Hear·February 28, 2025The New Song Movement: Latin America’s soundtrack to the revolutionHow the Nueva Canción genre is influencing a new generation of artists taking up the mantle of protest music in Latin AmericaText: Larissa KennedyImage: Javie Huxley
Hear·April 14, 2025The Raï Legacy: mapping Algeria’s struggles through its most opinionated music genreExploring how the rebellious spirit of a former colony can be channelled through its national folk musicText: BougiImage: Tommy H
Hear·March 21, 2026The resistance will be… harmonised?Meet some of the groups looking to revive America’s tradition of protest musicText: Ning Chang
Hear·May 21, 2024The Revolution is in 808On drill as a periscope with Adèle Oliver, author of Deeping It: Colonialism, Culture & Criminalisation of UK DrillText: Simmone AhiakuImage: Tinuke Fagborun
ArticlesHear·December 11, 2018The Terkawi’s Diary (Oxelosund, Sweden)Dr Ahmad Terkawi and his young family reached Greece by boat in...Text: webmasterkatie
Hear·August 13, 2025The woman behind the Dancehall Queen of SwitzerlandLateena, the Jamaican artist reclaiming riddims for trans self-loveText: Larissa KennedyImage: Esther Lalanne
ArticlesHear·May 11, 2026The zaghrouta, Sabrina Carpenter and the quelling of cultural expressionOn the politics of turning ignorance into spectacleText: Serene MadaniImage: Hayfaa Chalabi
ArticlesHear·September 6, 2022Ugandan percussionists are keeping 700 year old traditions aliveThe Nakibembe Xylophone troupe on memory, ancestry and the transportive power of musicText: Erin Cobby
Hear·June 17, 2025Untangling chains of complicity: music festivals during genocideKKR, cultural capital and the movements challenging the corporate festival machineText: Darío Karim Pomar AzarImage: Natasha Phang Lee
Hear·May 3, 2023What the music industry could learn from sex workers’ fight for decriminalisationIn the words of Laika, “We’re people, not just performers”Text: Erin Cobby