The Shit and the Sunrise

Wura-Natasha Ogunji's 'lalala ha!' explores the beauty in imperfection and the complexity of a dynamic Lagos

By Adebayo Quadry-Adekanbi

In lalala ha!, a dynamic series of ever-evolving scenes unfolds, embracing a non-linear narrative reflecting Wura’s connection to Lagos, a city in constant motion where innovation and quick problem-solving are the norm.

This exhibition thrives on change, with the artworks on display in a perpetual state of transformation, some even revealing dual identities when flipped over. What you see at the beginning is not what awaits you at the end, echoing Lagos’s ever-shifting essence also.

Wura’s aim in crafting this exhibition extends beyond spatial dimensions; it reshapes our perceptions of the gallery itself. Tiwani Contemporary’s overlooked windows are given due attention, with the high walls adorned with artworks creatively presented using pulleys and cords that draw the gaze upward.

This integration seamlessly merges the expansive gallery walls into the artistic experience. Large, imposing artworks coexist with smaller, more intimate pieces, inviting viewers to approach them and engage with the art up close.

The Shit and the Sunrise

Wura-Natasha Ogunji's 'lalala ha!' explores the beauty in imperfection and the complexity of a dynamic Lagos

By Adebayo Quadry-Adekanbi